Add to ORKGExplores bereavement in the film Three Colours, directed by Krzysztof Kieslowski. Changes in the source of bereavement in the film; ethics of endless mourning.</p
THE ROLE OF THE UNCONSCIOUS IN MARNIE AND THREE COLOURS: BLUE The unconscious completely eludes tha...
16mm colour film (17 mins), which explores how our relationship with the dead is made different thro...
The following dissertation investigates whether Lars von Trier's film representations of depression ...
This paper describes the relationship between psychotherapy, the grieving process and a specific set...
Cultural associations with red are potent. They include blood and intense passion, injury and death,...
For this paper I viewed Krzysztof Kieślowski\u27s groundbreaking Three Colors trilogy in an effort t...
This analysis of Kieslowski’s Trois Couleurs: Blanc prioritises Winnicottian theory in accounting fo...
This paper aims to explore the aesthetic representations of death and loss in film through film theo...
A visual essay on four filmmakers: Andrei Tarkovsky, Krystof Kieslowski, Wim Wenders, and Aleksei Ge...
The lived experience of grief is a universal phenomenon that is both a psychological and embodied ex...
The article comprises an attempt to follow the main idea underlying Andrzej Wajda’s film adaptations...
The main consideration of this text focused on the answer to the question whether the Julie characte...
The article defines notions such as intertextuality and film genre. These notions enable the interpr...
This work examined the connection between stories about death and dying and Booker\u27s rebirth plot...
This paper focuses on 'death scenes' in the context of film. Death haunts our living as an immanence...
THE ROLE OF THE UNCONSCIOUS IN MARNIE AND THREE COLOURS: BLUE The unconscious completely eludes tha...
16mm colour film (17 mins), which explores how our relationship with the dead is made different thro...
The following dissertation investigates whether Lars von Trier's film representations of depression ...
This paper describes the relationship between psychotherapy, the grieving process and a specific set...
Cultural associations with red are potent. They include blood and intense passion, injury and death,...
For this paper I viewed Krzysztof Kieślowski\u27s groundbreaking Three Colors trilogy in an effort t...
This analysis of Kieslowski’s Trois Couleurs: Blanc prioritises Winnicottian theory in accounting fo...
This paper aims to explore the aesthetic representations of death and loss in film through film theo...
A visual essay on four filmmakers: Andrei Tarkovsky, Krystof Kieslowski, Wim Wenders, and Aleksei Ge...
The lived experience of grief is a universal phenomenon that is both a psychological and embodied ex...
The article comprises an attempt to follow the main idea underlying Andrzej Wajda’s film adaptations...
The main consideration of this text focused on the answer to the question whether the Julie characte...
The article defines notions such as intertextuality and film genre. These notions enable the interpr...
This work examined the connection between stories about death and dying and Booker\u27s rebirth plot...
This paper focuses on 'death scenes' in the context of film. Death haunts our living as an immanence...
THE ROLE OF THE UNCONSCIOUS IN MARNIE AND THREE COLOURS: BLUE The unconscious completely eludes tha...
16mm colour film (17 mins), which explores how our relationship with the dead is made different thro...
The following dissertation investigates whether Lars von Trier's film representations of depression ...